In a world where art and technology converge, David Jijavadze has found a unique way to express human emotions. His surreal installations—featuring elements like TV static and clouds—are not just visually captivating but also deeply meaningful. Rooted in themes such as hope, love, and peace, his work invites audiences into a tranquil space where creativity and innovation blend seamlessly. This interview explores his journey, sources of inspiration, and his view on the future of AI.
Your background
Where are you originally from? Where did you grow up?
I'm from Georgia, Batumi, it's a little country near the Black Sea.
Can you share a bit about your journey as a Graphic Designer and how you transitioned into creating AI-generated visual pieces?
I've been a Graphic Designer for about three years, specialising in minimalistic designs. When I started exploring AI-generated art, it felt like a natural extension of my creative process. AI tools opened up new ways to experiment with ideas and visuals that would be difficult to achieve traditionally.
AI became more of a creative collaborator for me, helping me quickly generate concepts that I could refine and adapt to my own style.
How has your background in Graphic Design and growing up in Georgia influenced the way you approach AI art?
When I discovered AI-generated art, it felt like a new way to extend my creative process, giving me the freedom to explore concepts beyond traditional methods.
Being the first AI artist in my country is something I'm proud of, and it motivates me to push the boundaries of what's possible.
Your creative process
What inspired you to blend surreal elements like TV static and clouds into your art?
I've always been drawn to the contrast between chaos and calm, which is why I like to mix TV static and clouds. TV static represents noise, confusion, and the overwhelming nature of modern life, while clouds evoke peace, movement, and nature's unpredictability.
Could you walk us through your creative process when thinking of new concepts?
When I'm starting a new concept, I always begin with an idea or emotion that I want to capture, something personal or a theme that intrigues me. From there, I like to sketch out the feeling visually in my head, thinking about which elements can represent that idea.
Once I have a clear direction, I experiment with AI tools, and then start searching music for this.
What role does rhetoric play in your work, and how do you decide which concepts, such as hope or freedom, to weave into your pieces?
Rhetoric plays a central role in how I communicate through visual design. It's about using visual elements as a language to evoke specific specific emotions or thoughts in the viewer.
How do you hope audiences feel when experiencing your work?
I don't need them to get a specific message, but I do hope they leave with a sense of connection, whether that's to the ideas of hope, freedom, or just the feeling of something abstract. At the end of the day, it's about creating something that feels honest, like a visual moment that resonates with their own thoughts and feelings.
What do you believe AI brings to the table that traditional art can't?
AI brings a whole new layer of creativity and speed that traditional art just can't match. It's not about replacing traditional methods, but more about expanding possibilities. With AI, you can quickly generate ideas, experiment with different styles, and explore things that might take much longer or even feel impossible through traditional means.
What I love is how AI can surprise you, sometimes it comes up with something completely unexpected that pushes the boundaries of what you were thinking. It's like having a creative partner that helps you see things in a new way, and it can open up new avenues for experimentation that weren't as easily accessible before.
What has been your biggest challenge working with AI?
The biggest challenge with AI is figuring out how to truly make it work for me. Sometimes, it's hard to get the output exactly how I envision it, and I find myself spending a lot of time tweaking and refining. AI can be a bit unpredictable, so there's this balance between directing it and letting it lead me in unexpected directions.
Future of AI & Art
How do you see the relationship between technology and art evolving in the next decade?
I think the relationship between technology and art is only going to get deeper in the next decade. As AI and other tech tools keep evolving, I see more artists blending digital and physical worlds in ways we can't even fully imagine yet.
Do you have any dream project you'd like to create with AI?
My dream is to dive into AI filmmaking. I want to create unique, immersive films using AI, blending storytelling with technology in new ways. It's about pushing creative boundaries and bringing ideas to life that traditional methods can't.
I'm working on this every day, experimenting with AI to build new worlds and experiences. My goal is to make films that feel fresh, interactive, and engaging for the audience.
What advice would you give to aspiring artists looking to explore AI as part of their practice?
Everything is possible, just don't give up. My advice is to keep experimenting and stay curious. AI is an incredible tool, but it takes time to figure out how to use it in your own way. Don't be afraid to make mistakes along the way, because that's where the real growth happens.
Keep pushing forward, trust your instincts, and remember: there are no limits to what you can create. Stay persistent, and the results will follow.
Which of your work holds the most meaning to you and why?
I have one reels about Georgie, where a man is holding a European flag, and fighting for this future, this is one of my latest art pieces, which I like the most.
If you could describe your artistic philosophy in one sentence, what would it be?
Art form me is about blending emotion, technology, and imagination to create something that speaks beyond words and invites others to experience the world in a new way.
How do you recharge your creativity when you feel uninspired or creatively blocked?
When I feel creatively blocked, I usually take a step back and let myself disconnect for a bit. Whether it's taking a walk, or watching a movie.
Lastly, where can our readers find your work?
You can find my work on my Instagram page.
